Category: Front slider

  • Cleaning & Maintenance strike a pose

    Cleaning & Maintenance is the latest Museum team to adopt period costume.

    It’s been a challenge to find the team a costume that looks authentic and is practical to work in, both indoors and outdoors and in all types of weather!

    The men are wearing thick canvas trousers, grandad shirts, waistcoats and flat caps. The ladies have been provided with bib & brace, tan shirts, polos and head scarves to give a 1940s feel. All have work boots and for colder, wetter weather, wax jackets.

    The team love their new outfits.  We’re sure you’ll agree, they look fab!

  • An Evening of Jazz- Competition

    Winterbourne House and Garden is holding an evening event from 7.30pm- 10pm called Jazz in the Garden on Saturday 21 July 2018

    A relaxed evening in the garden with the backdrop of jazz sounds and the picturesque location of Winterbourne’s botanic garden.

    We have 5 pairs of tickets for this event. If you would like to be in with a chance of winning tickets to attend, you will need to answer the following question and send your answer to Michaela Fallon-Williams  via email: [email protected] (only entries made via email will be accepted).

    Question

    This lady sang the blues like nobody else. One of her best known songs is “Strange Fruit” based on a poem about lynching. In spite of a very difficult childhood, racial prejudice and drug addiction, she was a star who will never be forgotten. Who was she? 

    The closing date for entries is: 11 May 2018

    The winners will be announced: 18 May 2018.                                          

  • Share a song for Stanton’s

    This Saturday (21st April), colleagues from the Museum will be heading to Dudley’s Fountain Arcade to find the town’s favourite tunes from the 1950s.  We want you, along with people in the local community, to help decide which songs should be played in the recreated Stanton’s at the Museum.

    Drop in at the Fountain Arcade between 10am and 4pm to share your favourite 50s song and contribute to the community play list.

    Everyone is welcome and we’re especially keen to hear from people with personal memories from the 1950s and of Stanton’s Music Shop in Dudley, in particular.  If there’s someone you know with strong memories of era, please bring them along.

    As well as broadcasting live on Black Country Radio between noon and 2pm, we’ll also be hosting Lindy Hop demos and a specialist record collector will play popular tracks from the 1950s to create a fun atmosphere in which people can share their memories.

    Come and see the Community Engagement Manager with co – workers and volunteers this Saturday and be ready to share your song for Stanton’s.

  • BCLM: Forging Ahead – Marsh & Baxters Call Out

    BCLM: Forging Ahead – Marsh & Baxters Call Out

    We’ll be launching our public call-out for memories and objects relating to the Brierley Hill branch of Marsh & Baxter’s Pork Butchers’ Shop between the 40s-60s on Monday 16 April.

    Do have any personal stories about Marsh & Baxter’s? Did you or anyone in your family work in a Marsh & Baxter’s branch? Did you or your family shop there in the 1950s?

    If you, or anyone you know has anything you would like to share to help in our recreation of the Pork Butchers’ shop, inside and out, please pop in and see the Collections team in the Rolfe Street offices.

     

    A bit about Marsh & Baxter’s

    In 1871, Alfred Marsh purchased a butcher’s shop on Brierley Hill High Street and soon set about curing his own ham and bacon at a small factory nearby, in Hall Street. In the nineteenth century and well into the twentieth, the industry was very specialised: butchers might be general butchers selling beef and game, poulterers selling chicken, or pork butchers selling sausages, hams and other pork products. Marsh would have had plenty of competition: there were fifteen butchers’ shops in Brierley Hill alone in 1880.

    Marsh’s products proved very popular, and he soon looked to expand his business. He did this first of all by mechanizing his production process, introducing machinery and refrigeration to the factory to enable production of bacon, sausages, hams and pork pies on an industrial scale, all year round. In 1912, Marsh took over A.R. Baxter’s meat processing factory in Dale End, Birmingham and another five shops, gained a royal warrant, and rapidly grew into probably the biggest firm of its type in the country – even bigger than its local competitor, Dudley Port’s Palethorpes. The Hall Street factory grew to dominate the Brierley Hill skyline and provided work for thousands of locals: it had ten curing houses with a capacity of 60,000 hams, an ice plant, a huge fleet of delivery vehicles, and dedicated tunnels from the Stourbridge Canal and the firm’s own railway siding, through which pigs arrived.

    We will be recreating the smaller of Marsh & Baxter’s two butchers shops in Brierley Hill, from 70 High Street – a typical store, set in the early 1950s while meat was still rationed.

     

    Why Marsh & Baxter’s?

    Meat rationing began during World War Two and was the last item to be taken off ration in 1954. Nevertheless, the firm prospered: by the 1950s, Marsh & Baxter had 52 outlets and exported nationally and internationally, and were even one of the earliest firms to adopt television advertising. Their newspaper and billboard adverts were all over the Midlands too, especially the prize pig “drawing his own conclusion”: the “world’s best sausages.” The factory was a major loss for Brierley Hill when it closed in 1978, and the shops sold off.

    Upon its opening in 2022, visitors will be able to learn about rationing, the history of the firm and of food production in the Black Country – and try freshly-made pork pies and faggots.

  • Directors’ Bi-Monthly Report

    Directors’ Bi-Monthly Report

    Please note that the latest bi-monthly report is now available online in the documents section.

  • For Information – Partnership with Black Country Touring

    As part of the Museum’s National Portfolio Organisation funding, we are developing a partnership with local touring theatre company, Black Country Touring – you may remember we hosted them last summer for their Life’s a Beach project. We will be working with Black Country Touring both at the Museum and across the Black Country to share the stories of our local communities through performance and first person interpretation.

    Over the next few months, during the development phase of BCLM: Forging Ahead, members of Black Country Touring will be working with various Museum staff, volunteers and consultants to explore the potential for theatre, performance and first person interpretation on our site. The first pilot performances will be devised and integrated into August’s Summer Evening programme, in some of our shops with the aim of developing this into a wider performance involving pieces onsite and in shops across the Black Country.

  • For Information – A National Portfolio Organisation 2018-2022

    For Information – A National Portfolio Organisation 2018-2022

    As of 1 April 2018, we are officially an Arts Council England (ACE) National Portfolio Organisation (NPO). This follows three successful years as an ACE-funded Major Partner Museum (MPM).

    We’ll receive £550,000 for each of the four years of investment, a significant amount of which will support our major development project BCLM: Forging Ahead including the growth and development of our STEAM (Science, Technology, Engineering, Art & Maths) Learning Programme and Community Engagement Programme with communities across the Black Country.

    We’ll also continue to lead the successful Museums & Resilient Leadership programme from 2018-2022.

    Our move to an NPO brings with it several staff changes:

    Hayley McCafferty-David, recruited as MPM project Manager in 2015 now moves fully into her role as BCLM: Forging Ahead Project Manager.

    Glenis Williams, recruited under the MPM programme in 2015 to help fulfil the Museum’s audience development objectives now moves into her role as full-time Community Engagement Manager to continue working towards widening participation with specific communities as part of BCLM: Forging Ahead. Glenis will also be interviewing shortly for a new Community Engagement Assistant to support in the delivery of this important work. More to follow once that appointment has been made.

    Dianne Rivers, recruited as MPM Volunteer Coordinator now moves into a Volunteer Manager role to continue to develop our growing volunteer programme. Ricki Boden also continues with us as Volunteer Team Administrator.

    Each of these members of staff have contributed so much to the Museum over the last three years and I’m delighted that we are able to retain their abilities as we move to a National Portfolio Organisation.

     

    The Museum’s success in becoming an NPO also sees Grant Bird’s appointment to a new Audience Analyst position. Grant is a very experienced market researcher, having spent more than fifteen years in consumer research prior to his current role as Curator (Domestic & Cultural Life). He will be starting in his new position on Monday 9 April. In addition to his substantive role as Audience Analyst, Grant will also be taking on some additional responsibility as manager of the Marketing & Communications team during Catherine Furnival’s maternity leave.

     

  • Rationalisation of Tram Collection – update

    This update follows the news article posted in December regarding the deaccessioning of four tram bodies under tarpaulins by the Albion Depot:

    Tram 361 (1998/036/001) ex Lisbon Tramways

    In line with the MA Code of Ethics/Disposal Toolkit and after being offered to any other Museum that would be interested in acquiring it for their collection, this week we said goodbye to Tram 361.

    Built in 1906 by J Stephenson Co, New York, single-deck Tram No,361 was delivered to the Lisbon Tramway Network (Rede de eléctricos de Lisboa) in 1907. Heavily rebuilt in 1947-49 and again in 1959-61, it survived in service until the mid-1990s. Acquired by the museum in 1998 the intention was to strip the vehicle for spares, with the bogies, brake gears and linkages deemed appropriate for reuse on Tram 49. Unfortunately this proved not to be the case and after being advertised to museums and heritage organisations both in the UK and abroad, the tram is heading back to Portugal and a new life with Paulo Marques, restorer of Lisbon Trams.

     

    The area outside Albion depot will continue to be tidied up over the weeks ahead, where only one covered Tividale built tram body now remains.

  • John Hughes Staff Award – Applications Open

    The John Hughes Staff Award is available to support the professional and personal development of individual(s) through funding for qualifications, conferences, workshops, short courses and research trips.

    The award is available to permanent staff members who have worked at BCLM for a minimum of 6 months and who are able to demonstrate how the award will support their personal development and also benefit the Museum.

    The maximum award available each year from 2016-2021 is £1,000 (the minimum amount requested should be no less than £200), which will be awarded to one or multiple staff members following submission of the attached form. (Any supporting or additional information about the professional/personal development opportunity should be attached to the application).

    There is still an amount of the 2018 funding available so we are seeking applicants to be considered for the funding.

    Staff are required to discuss their requirements with their Line Manager prior to completing the application form (available in the HR section of the Documents tab above). This is to ensure the application is suitable to be funded in this way and is not a requirement which may be able to be met by the Museum in other ways. This should then be authorised by the Line Manager and submitted to HR. A decision will then be made by HR and the relevant Deputy Chief Executive (s), subject to the remaining funds available and according to the needs of the Museum at that time.

     

    Please note the following:

    • More than 1 submission for funding may be made but priority may be given to first time applicants, depending on the nature of the application and the requirements of the Museum at that time.
    • If you leave BCLM within 12 months of receiving the award, you may be required to repay the amount received.

     

     

     

     

     

  • AIM Annual Conference – Opportunity to Attend

    The AIM annual conference this year takes place at the British Motor Museum, Gaydon across the two days of 21 and 22 June 2018.

    The theme for 2018 is ‘Changing Gear’. Day 1 will draw on important new research exploring how museums can attract more diverse audiences for the benefit of everyone whilst on day 2 finance will be the focus and will include ideas on alternative income generation and inspirational ideas on financial leadership

    As in previous years we are offering 2 staff the opportunity to attend this year’s conference, with travel for each day provided. All you need to do is complete an application and provide us with some information as to how you think this will be of benefit to you in your role here at BCLM.

    More information is available on the AIM website.

    If you are interested in attending, please complete the application form (available in the HR section of the ‘Documents’ tab above) and return to [email protected] by 5pm on Friday 27 April 2018. Staff will be selected based on their application and informed in early May.