Category: TV Feed Main News

  • New Volunteer section on Intranet

    We’ve introduced a volunteers area in the Museum Documents section of the intranet where you can find information about our volunteer programme, the opportunities available and the support we provide to volunteers.

    If you have any questions about volunteering please contact Di Rivers, Volunteer Manager or Ricki Boden Volunteer Team Administrator.

     

    Why volunteering matters

    The Museum grew out of community pressure in the late 1960s to ensure that the culture and traditions of the Black Country might be preserved. Volunteers then as now remain integral to achieving the Museum’s mission, “Inspiring your discovery of the Black Country”.

    Volunteering is an important expression of citizenship and is essential to democracy. It is a commitment of time and energy for the benefit of society and the community and can take many forms. It is undertaken freely and by choice, without concern for personal financial gain. (Volunteer England, Compact Code of Good Practice on Volunteering, 2005)
    Volunteering is a partnership between BCLM and the community, within which volunteers actively contribute to the Museum and the impact achieved for visitors. Volunteers provide time and in the case of some of the groups equipment and financial support.

     

  • The Anchor Forge team – off to a cracking start (without cracking any window panes!)

    The team have got off to a ‘cracking start’ looking as if they have been together for years. The crowd pulling training sessions have been a real crowd-pleaser and will continue through May until the launch on the 19 May.

  • Cleaning & Maintenance strike a pose

    Cleaning & Maintenance is the latest Museum team to adopt period costume.

    It’s been a challenge to find the team a costume that looks authentic and is practical to work in, both indoors and outdoors and in all types of weather!

    The men are wearing thick canvas trousers, grandad shirts, waistcoats and flat caps. The ladies have been provided with bib & brace, tan shirts, polos and head scarves to give a 1940s feel. All have work boots and for colder, wetter weather, wax jackets.

    The team love their new outfits.  We’re sure you’ll agree, they look fab!

  • An Evening of Jazz- Competition

    Winterbourne House and Garden is holding an evening event from 7.30pm- 10pm called Jazz in the Garden on Saturday 21 July 2018

    A relaxed evening in the garden with the backdrop of jazz sounds and the picturesque location of Winterbourne’s botanic garden.

    We have 5 pairs of tickets for this event. If you would like to be in with a chance of winning tickets to attend, you will need to answer the following question and send your answer to Michaela Fallon-Williams  via email: [email protected] (only entries made via email will be accepted).

    Question

    This lady sang the blues like nobody else. One of her best known songs is “Strange Fruit” based on a poem about lynching. In spite of a very difficult childhood, racial prejudice and drug addiction, she was a star who will never be forgotten. Who was she? 

    The closing date for entries is: 11 May 2018

    The winners will be announced: 18 May 2018.                                          

  • Share a song for Stanton’s

    This Saturday (21st April), colleagues from the Museum will be heading to Dudley’s Fountain Arcade to find the town’s favourite tunes from the 1950s.  We want you, along with people in the local community, to help decide which songs should be played in the recreated Stanton’s at the Museum.

    Drop in at the Fountain Arcade between 10am and 4pm to share your favourite 50s song and contribute to the community play list.

    Everyone is welcome and we’re especially keen to hear from people with personal memories from the 1950s and of Stanton’s Music Shop in Dudley, in particular.  If there’s someone you know with strong memories of era, please bring them along.

    As well as broadcasting live on Black Country Radio between noon and 2pm, we’ll also be hosting Lindy Hop demos and a specialist record collector will play popular tracks from the 1950s to create a fun atmosphere in which people can share their memories.

    Come and see the Community Engagement Manager with co – workers and volunteers this Saturday and be ready to share your song for Stanton’s.

  • BCLM: Forging Ahead – Marsh & Baxters Call Out

    BCLM: Forging Ahead – Marsh & Baxters Call Out

    We’ll be launching our public call-out for memories and objects relating to the Brierley Hill branch of Marsh & Baxter’s Pork Butchers’ Shop between the 40s-60s on Monday 16 April.

    Do have any personal stories about Marsh & Baxter’s? Did you or anyone in your family work in a Marsh & Baxter’s branch? Did you or your family shop there in the 1950s?

    If you, or anyone you know has anything you would like to share to help in our recreation of the Pork Butchers’ shop, inside and out, please pop in and see the Collections team in the Rolfe Street offices.

     

    A bit about Marsh & Baxter’s

    In 1871, Alfred Marsh purchased a butcher’s shop on Brierley Hill High Street and soon set about curing his own ham and bacon at a small factory nearby, in Hall Street. In the nineteenth century and well into the twentieth, the industry was very specialised: butchers might be general butchers selling beef and game, poulterers selling chicken, or pork butchers selling sausages, hams and other pork products. Marsh would have had plenty of competition: there were fifteen butchers’ shops in Brierley Hill alone in 1880.

    Marsh’s products proved very popular, and he soon looked to expand his business. He did this first of all by mechanizing his production process, introducing machinery and refrigeration to the factory to enable production of bacon, sausages, hams and pork pies on an industrial scale, all year round. In 1912, Marsh took over A.R. Baxter’s meat processing factory in Dale End, Birmingham and another five shops, gained a royal warrant, and rapidly grew into probably the biggest firm of its type in the country – even bigger than its local competitor, Dudley Port’s Palethorpes. The Hall Street factory grew to dominate the Brierley Hill skyline and provided work for thousands of locals: it had ten curing houses with a capacity of 60,000 hams, an ice plant, a huge fleet of delivery vehicles, and dedicated tunnels from the Stourbridge Canal and the firm’s own railway siding, through which pigs arrived.

    We will be recreating the smaller of Marsh & Baxter’s two butchers shops in Brierley Hill, from 70 High Street – a typical store, set in the early 1950s while meat was still rationed.

     

    Why Marsh & Baxter’s?

    Meat rationing began during World War Two and was the last item to be taken off ration in 1954. Nevertheless, the firm prospered: by the 1950s, Marsh & Baxter had 52 outlets and exported nationally and internationally, and were even one of the earliest firms to adopt television advertising. Their newspaper and billboard adverts were all over the Midlands too, especially the prize pig “drawing his own conclusion”: the “world’s best sausages.” The factory was a major loss for Brierley Hill when it closed in 1978, and the shops sold off.

    Upon its opening in 2022, visitors will be able to learn about rationing, the history of the firm and of food production in the Black Country – and try freshly-made pork pies and faggots.

  • BCLM Trustees – an update

    Following a recent recruitment drive to further strengthen the Board of Trustees, and interviews with the Chair, Lowell Williams, Deputy Chair, Fiona Toye, and myself, I am delighted to welcome 4 new Trustees to the Board.

    Jonathan Badyal, Head of Communications for Universal Music UK.  Jonathan grew up in Wolverhampton and previously worked as Policy & Communications Advisor to the Culture & Digital Economy Minister.

    Duncan Bedhall, Partner & Head of Commercial Property at Fisher German.  Duncan came from a family of chain makers from Cradley Heath and has a keen interest in British history.

    Councillor Patrick Harley, Leader of Dudley MBC, was nominated to the Board by the Association of Black Country Authorities, and is also a member of the West Midlands Combined Authority.

    Parminder Dosanjh, Creative Director for Creative Black Country.  Parminder has also worked for the BBC and Arts Council England, and is passionate about art, culture and community engagement.

    All 4 will bring a wealth of experience, knowledge and enthusiasm to the Museum.  Biographies and photos will soon be posted on the Museum’s website.

     

    Date for your Diary:

    We will be holding a ‘Meet the Trustees’ event for staff on Thursday 31 May 2018, at 5.30pm in Hall 2 (refreshments will be available).  Here you will have the opportunity to learn more about our Trustees and to ask them questions.  Sign-up sheets will be posted in staff areas soon, or you can let Jo know if you are able to attend.

    Andrew

  • Antiques Roadshow @ BCLM airs this Sunday

    Tune into BBC One at 8pm this Sunday, 15 April for the first of the two Antiques Roadshow programmes that were filmed at the Museum last June.

    For those of you’ve who’ve been following the Commonwealth Games, keep a look out for another BCLM appearance on Sunday afternoon during the Closing Ceremony on BBC Two as the handover to Birmingham Commonwealth Games 2022 takes place….with a distinctly Peaky Blinders feel!

  • Racecourse Colliery – thank you!

    We’d like to say a big thank you to everyone involved last Thursday with the Racecourse Colliery Preview! Thank you for your hard work in very soggy conditions, it was a fantastic evening enjoyed by all members, Friends, Trustees and staff.

    Thank you to the VE, Maintenance, Operation and Marketing Teams all those involved in the planning of the event. To David Pitt and Irene de Boo for speaking on the evening – it was brilliant to gain an insight into the project and the history of the Colliery on the night. Also for everybody who got the Racecourse Colliery bustling with life; Sheila and children from the Harlequin Drama Group, the Mine Team, the Steam Team, Chris, Michelle and Charlie. I know that we can all agree that Tom’s Mine Show blew us all away thank you for delighting us all with your flaming hand!

    Very best wishes

    The Development Team

  • For Information – Partnership with Black Country Touring

    As part of the Museum’s National Portfolio Organisation funding, we are developing a partnership with local touring theatre company, Black Country Touring – you may remember we hosted them last summer for their Life’s a Beach project. We will be working with Black Country Touring both at the Museum and across the Black Country to share the stories of our local communities through performance and first person interpretation.

    Over the next few months, during the development phase of BCLM: Forging Ahead, members of Black Country Touring will be working with various Museum staff, volunteers and consultants to explore the potential for theatre, performance and first person interpretation on our site. The first pilot performances will be devised and integrated into August’s Summer Evening programme, in some of our shops with the aim of developing this into a wider performance involving pieces onsite and in shops across the Black Country.